I had a dream i did compete in a heavenly contest
my hands were brick and super-thick and I was quick and weightless
my skill was sharpened pins and razor blades and it was pointless
my foes had toes arrange with straw and they were barely balanced
i was a freedom fighter freely fighting reeling lions
they were a really lightning quick exciting boiling frying
experience in lighting matches in a kitchen fire
against my chest I felt this melting wax and I was happy
my cock, painfully huge
my foot, is better than yours
you can't undress as fast as I can do it
you do it with one foot I do it with
(two)
The mat was wet with holy sweat as i displayed my talent
My hands and feet made godly meat available for sandwich
The bread of hair and face displaced the chest and stomach salad
I spread the mustard of his muscle puss across my palate
I was unleashing on unleashings cost and being costly
It was a really broad excuse for my impending failure
The locker room was steaming food and tea for my abuses
I'll make a GYRO shop of human stock and make a fortune
credits
from My First Time,
released December 2, 2003
Produced by: Christopher Bradley & Look What I Did
Mixed & Engineered by: Christopher Bradley
Mastered by: Jamie Tate
Vocals: Barry Donegan
Guitar: Colby Shea
Stunt Guitar: Aaron "Skeet" Childress
Bass: Christopher Bradley
Drums: Miles McPherson
supported by 6 fans who also own “I Beat God at Tae Kwon Do”
This album would be more aptly named "Hits From The Bow II: Hits From The Stern". It so hearkens back to that first album that changed the face of experimental metal. I can't believe I missed this 6 years ago, but I'm so glad it exists. 10/10. brineryte
Brilliantly unhinged hardcore-inspired songs that splinter expectations to smithereens with their split-second rhythm changes & wild vocals. Bandcamp New & Notable Nov 28, 2022
Polish trio Melisa combine elements of noise rock, grindcore, mathcore, and sludge with lyrics that balance between poetic and political. Bandcamp New & Notable Jun 21, 2022
supported by 6 fans who also own “I Beat God at Tae Kwon Do”
Quite possibly the most full-on album I've ever listened to. Intense, and then some. 'Digital Tarpit' could describe both the track and the whole album: high-pitched guitar squeals that make your fillings itch coupled with merciless, suffocating heaviness. The Avenell-esque vocals top it off perfectly.
Brilliant - punishing, but brilliant. jim_fuego